“We must be circumspect, for we are dealing with a very cunning man. We can do nothing until seven o’clock. At that hour we shall be with you, and it will not be long before we solve the mystery.”

We were as good as our word, for it was just seven when we reached the Copper Beeches, having put up our trap at a wayside public-house. The group of trees, with their dark leaves shining like burnished metal in the light of the setting sun, were sufficient to mark the house even had Miss Hunter not been standing smiling on the door-step.

“Have you managed it?” asked Holmes.

A loud thudding noise came from somewhere downstairs. “That is Mrs. Toller in the cellar,” said she. “Her husband lies snoring on the kitchen rug. Here are his keys, which are the duplicates of Mr. Rucastle’s.”

“You have done well indeed!” cried Holmes with enthusiasm. “Now lead the way, and we shall soon see the end of this black business.”

We passed up the stair, unlocked the door, followed on down a passage, and found ourselves in front of the barricade which Miss Hunter had described. Holmes cut the cord and removed the transverse bar. Then he tried the various keys in the lock, but without without success. No sound came from within, and at the silence Holmes’s face clouded over.

“I trust that we are not too late,” said he. “I think, Miss Hunter, that we had better go in without you. Now, Watson, put your shoulder to it, and we shall see whether we cannot make our way in.”

It was an old rickety door and gave at once before our united strength. Together we rushed into the room. It was empty. There was no furniture save a little pallet bed, a small table, and a basketful of linen. The skylight above was open, and the prisoner gone.

“There has been some villainy here,” said Holmes; “this beauty has guessed Miss Hunter’s intentions and has carried his victim off.”

“But how?”

“Through the skylight. We shall soon see how he managed it.” He swung himself up onto the roof. “Ah, yes,” he cried, “here’s the end of a long light ladder against the eaves. That is how he did it.”

“But it is impossible,” said Miss Hunter; “the ladder was not there when the Rucastles went away.”

“He has come back and done it. I tell you that he is a clever and dangerous man. I should not be very much surprised if this were he whose step I hear now upon the stair. I think, Watson, that it would be as well for you to have your pistol ready.”

The words were hardly out of his mouth before a man appeared at the door of the room, a very fat and burly man, with a heavy stick in his hand. Miss Hunter screamed and shrunk against the wall at the sight of him, but Sherlock Holmes sprang forward and confronted him.

“You villain!” said he, “where’s your daughter?”

The fat man cast his eyes round, and then up at the open skylight.

Aaron sat in the little sitting–room and waited. After a rather long time the Marchesa came in—wearing a white, thin blouse and a blue skirt. She was hardly made up at all. She had an odd pleased, yet brooding look on her face as she gave Aaron her hand. Something brooded between her brows. And her voice was strange, with a strange, secret undertone, that he could not understand. He looked up at her. And his face was bright, and his knees, as he sat, were like the knees of the gods.

“You wanted the book of chansons?” she said.

“I wanted to learn your tunes,” he replied.

“Yes. Look—here it is!” And she brought him the little yellow book. It was just a hand–book, with melody and words only, no accompaniment. So she stood offering him the book, but waiting as if for something else, and standing as if with another meaning.

He opened the leaves at random.

“But I ought to know which ones you sing,” said he, rising and standing by her side with the open book.

“Yes,” she said, looking over his arm. He turned the pages one by one. “Trois jeunes tambours,” said she. “Yes, that. . . . Yes, En passant par la Lorraine. . . . Aupres de ma blonde. . . . Oh, I like that one so much—” He stood and went over the tune in his mind.

“Would you like me to play it?” he said.

“Very much,” said she.

So he got his flute, propped up the book against a vase, and played the tune, whilst she hummed it fragmentarily. But as he played, he felt that he did not cast the spell over her. There was no connection. She was in some mysterious way withstanding him. She was withstanding him, and his male super–power, and his thunderbolt desire. She was, in some indescribable way, throwing cold water over his phoenix newly risen from the ashes of its nest in flames.

He realised that she did not want him to play. She did not want him to look at the songs. So he put the book away, and turned round, rather baffled, not quite sure what was happening, yet feeling she was withstanding him. He glanced at her face: it was inscrutable: it was her Cleopatra face once more, yet with something new and warm in it. He could not understand it. What was it in her face that puzzled him? Almost angered him? But she could not rob him of his male power, she could not divest him of his concentrated force.

“Won’t you take off your coat?” she said, looking at him with strange, large dark eyes. A strange woman, he could not understand her. Yet, as he sat down again, having removed his overcoat, he felt her looking at his limbs, his physical body. And this went against him, he did not want it. Yet quite fixed in him too was the desire for her, her beautiful white arms, her whole soft white body. And such desire he would not contradict nor allow to be contradicted. It was his will also. Her whole soft white body—to possess it in its entirety, its fulness.

“What have you to do this morning?” she asked him.